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目次 I ve found my village on the map, what does it look like? I can see my village but it looks a bit bare, what should I do first? How do I place buildings? Does it matter where I place buildings? What determines how many resources are produced by a building? When I try to place a building what does the number on the building mean? When I try to place a building the building is red? What resources are required to build buildings? How do I make wood? How do I make stone? How do I delete a building? How do I make food? Why can t I build more buildings when I have the resources? What does the bar at the top of the screen mean? No one appears to be working in one of my buildings? How do I make more peasants? Can I own more than one village? How does the spare unit space work? Building Limits Renaming your village What happens if my village is conquered? Salt Flats village - Why can t I place buildings on the left side? What happens with inactive players? Why isn t my brewery working? How do I go about purchasing a new village? I ve found my village on the map, what does it look like? Village_icon.jpg Click on the village tab to view your village. I can see my village but it looks a bit bare, what should I do first? We would recommend following the in-game tutorial and quests. 75px|thumb|right|Build panel75px|thumb|right|Building info How do I place buildings? Left click on the building in the build panel then hover over your village and left click again to place the building. NB Not all terrains allow the placement of buildings, check before that it doesn’t require a certain terrain. e.g. Iron Mines require Iron Ore on the ground, woodcutters need to be close to but not on trees, to work. Does it matter where I place buildings? Yes, placement is very important. Where you place a building determines how many resources that building will produce per day. Placing them closer to their storage building which may be the stockpile, keep, granary or Inn increases the total amount yielded per day. e.g. placing Apple Farms closer to the granary, will yield you more food per day. What determines how many resources are produced by a building? The amount produced per day depends on how close the building is to it s respective storage area i.e. stockpile, granary or village hall. The closer a building is to its storage area, the more resources it will produce. When placing a new building, the number displayed above it, is how much the building will produce each day. By clicking on a completed building, you can view how much that particular building makes per day, as well as the total production of all buildings of that type. When I try to place a building what does the number on the building mean? That is the amount of resources that the building will produce per day. The number will change depending on how far from the storage area the building is. Placing them closer to the storage type they need will greatly increase resource income. When I try to place a building the building is red? Either you do not have enough resources to build the building or you cannot place the building on that area of land. Some buildings can only be placed on specific types of land e.g. woodcutters must be placed around the edge of trees and stone quarries must be placed on stone. What resources are required to build buildings? All buildings require wood and/or stone to build them. Some other buildings also require gold. How do I make wood? To make wood place a Woodcutters Hut just outside an area of forest. How do I make stone? To make stone place a Stone quarry on an area of rocks. How do I delete a building? Click on the building and select Delete this Building . If the building is under construction or hasn t started building it will be deleted instantly and all the wood/stone/gold needed to build it will be returned. If the building is complete it will take sometime to delete and half the wood/stone/gold used to build it will be returned How do I make food? To make apples place an Apple Orchard near the granary, this is available in the farm tab. You will need to do research to be able to produce other types of food, such as Dairy or Wheat Farms from the farming tab. Why can t I build more buildings when I have the resources? A maximum of one building can be under construction at the same time in any given village. If you have a Premium Token running, you can queue up to 5 at once, per village. 300px|thumb|right|Village info bar What does the bar at the top of the screen mean? The top bar displays the current resources available to you in the selected village. You can see from left to right, the amount of wood, stone and food you have available. Further along you have the total village population/housing capacity and peasants available who can be made into workers for the village or be made into troops, merchants, scouts or monks. No one appears to be working in one of my buildings? If you do not have enough peasants available in your village, placing another hovel or disbanding troops or units may help to solve this. If your popularity is not high enough to attract peasants to come to your village, you need to boost your popularity. If your building are turned off. If you can see a Zzz sign above buildings, buildings are switched off. Click on a building with this sign and click Turn this on or Turn All Industries on . How do I make more peasants? You can make more peasants by placing hovels. The closer to the village hall you place your hovel the more peasants will be created. You can also research housing to improve the capacity in each hovel. You may need to raise your popularity to get peasants to come quicker, ways to do this include lowering taxes or giving a bribe, increasing rations, feeding more types of food, placing entertainment buildings. You can also disband troops or other units, if you wish to quickly get peasants into the village and therefore have workers available quickly. Can I own more than one village? Yes. Once you raise your rank to Alderman (12) you can own a second village. To take ownership of a second village, you would need to research leadership and own a captain. You could buy a village on the map, as long as you have purchased a captain and have 10,000 gold for the second village. You can also capture an enemies village by attacking an enemy and reaching the keep in the castle section. See the Table of Ranks to find out how many villages you are allowed to own at each rank. For the list of village types see the Village Table. NOTE Capitals are not included in the maximum number of villages i.e. it is possible to be Alderman (12) and own 2 villages + a parish capital. How does the spare unit space work? Each village can support a maximum of 500 units , units are anything which the player decides to create, such as troops, scouts, traders or monks. Each type of unit takes up different amounts of unit space out of the maximum of 500. Unit Unit space taken up Soldier,Catapult,Captain 1 Scout 10 Merchant 10 Monk 25 An example of this would be, with no scouts, traders or monks created, you could build the maximum army size of 500 troops. However, if you had created 8 scouts and also 10 traders in your village, then you have used 80 + 100 units, leaving only 320 unit spaces for any other units, leaving your maximum army size at 320. Building Limits The maximum amount of hovels you can place in one village is 10. Production buildings are 30 for each building type. While gardens and decorations have the following values Building Max available Flower beds 5 Formal gardens 5 Stone statues 10 Gilded Statues 5 Small Shrines 6 Large shrines 4 Dovecotes 5 Justice 4 Entertainment 5 Small Church 3 Medium Church 3 Cathedrals 1 The number of buildings left that you can place is displayed in the bottom right corner of the building icon in the build panel. Renaming your village To rename the village, first select the village you own and want to rename. Then using the main menu bar at the top of the screen. Click on Settings and then Rename current village . What happens if my village is conquered? If you have one village, you will be randomly assigned a new village on the map. You will keep all your gold, honour and research you have done. If you have more than one village, you will lose that village and be left with the rest of the villages you have available. Salt Flats village - Why can t I place buildings on the left side? The west side of the map is only for salt working buildings and no others. What happens with inactive players? A village will be automatically abandoned when a player hasn t played or is dormant for a specific period of time, this time is dependant on which rank they have reached. The higher the rank the longer it takes for the village to become abandoned. If a premium token is in play at the time of going inactive, they will stay active until the premium token runs out. Rank Days till inactive. Village Idiot 2 Bumpkin 3 Yokel 4 Peasant 5 Serf 6 Villein 7 Bondsman 8 Freeman 9 Commoner 10 Thane 11 Yeoman 14 Alderman 16 Gentleman 18 Page 20 Squire 22 Knight 28 Baron 32 Viscount 36 Earl 40 Marquis 44 Duke 48 Prince 60 Why isn t my brewery working? An Inn is required for the Brewery to produce ale. An Inn can be placed with no Breweries. How do I go about purchasing a new village? When you have reached rank 12 (Alderman) you can buy a second village (as opposed to capturing one). This will require gold, a captain, leadership research and is based on a few variables. If the new plot is inside the same Parish as another of yours, it will be significantly cheaper. If the new plot is in another Parish, or even County, the further away it gets, the more expensive. Rank and amount of villages also apply here too. Generally a new village price increments by 10k gold. A second village will cost you 10k gold. A third Village will cost you 20k gold (if within the same Parish, above rules will make it more costly) and so on. Additionally, Captains are required to purchase a village (1 per village), and the appropriate level of Leadership research needs completed. Each level of the research allows another village to be controlled, but requires a higher rank. The costs listed below are for a buyable village based within the same parish. Purchasing a village also requires Captains and completing the appropriate level of Leadership research. Amount of villages Cost in gold Leadership Research 2nd village 10,000 gold 1 3rd village 20,000 gold 2 4th village 30,000 gold 3 5th village 40,000 gold 4 6th village 50,000 gold 5 7th village 60,000 gold 6 8th village 70,000 gold 7 9th village 80,000 gold 8 10th village 90,000 gold 9 The purchase price is also affected by the distance the village you wish to buy is from the parish your current village is based within. Switching to a village you own located in a parish in closer proximity to the buyable village will reduce the purchase cost. View the table of ranks
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Vehicle Sherman Firefly Contents 1 Cromwell Command Tank Veterancy 2 Tactics 3 History 4 Requires 4.1 Cromwell Command Tank 5 Built From 5.1 Armor Command Truck 6 Support Abilities 6.1 Hull Down Position 7 Vehicle Upgrades 7.1 Tank Crew Commander 8 Vehicle Weapons 8.1 17 Pounder Firefly 8.2 Besa Coaxial Vehicle 8.3 Besa Hull MG Sherman Firefly Health 550 Max Speed 5 Sight 35 Cost 450100 Acceleration 1.5 Detection 0/0 Time 65 Deceleration 5 Hotkey F Population 10 Rotation 35 Target Type armour_sherman Upkeep 9 Crush Human true Critical Type armour Crush Mode crush_medium Rear Damage Enabled true Cromwell Command Tank Veterancy [Expand][Hide] Sight Radius Vehicles Stackable +5 0 Vet-Exp Weapon Reload Vehicles Stackable x0.75 0 Vet-Exp Weapon Range Vehicles Stackable +2.5 0 Vet-Exp Weapon Reload Sherman Firefly Stackable x0.8 0 Vet-Exp Sight Radius Vehicles Stackable +5 48 Vet-Exp Weapon Reload Vehicles Stackable x0.9 48 Vet-Exp Weapon Range Vehicles Stackable +2.5 48 Vet-Exp Weapon Reload Sherman Firefly Stackable x0.8 48 Vet-Exp Veterancy Level 1 N/A N/A Nothing 24 Vet-Exp Veterancy Level 2 N/A N/A Nothing 48 Vet-Exp Veterancy Level 3 N/A N/A Nothing 72 Vet-Exp Tactics While the armor is not great, the Firefly has a great range and penetration. As a result keeping the tank at max range allows it put out very respectable damage without taking any itself. Another reason to keep the Firefly at maximum range is a set of range modifiers applied to its reload time. As strange as it sounds, the main gun reloads faster at long range and gets significant short range penalties. With the 2.3 patch it is also necessary to keep a Command Tank in range to get the most out of it. Using hulldown on your Firefly is often a fatal mistake, as the enemy can then easily close in and exploit the reload time penalties as well as the weak rear armour. The Panther is often considered to be the archenemy of the Firefly. Since both units have enough firepower to penetrate the enemy s frontal armour with every single shot and both have comparable mobility, the aforementioned short range penalties of the Firefly become the most important factor in such a duel. In close combat, the Panther will usually slaughter the Firefly without much resistance, while at maximum range, the opposite might be true (the Firefly outranges the Panther). History Fireflies were introduced to armored brigades and divisions in 21 Army Group in 1944 just in time for the Normandy landings. After experience in the Battle of Normandy, it was decided to employ them by assigning one (later two) to each four-tank troop instead of concentrating them in Firefly-only troops or squadrons. They were among the few Allied tanks capable of taking on the German Panther and Tiger tanks at normal combat ranges. Though they were no better-armored than most M4 versions, the 17-pdr anti-tank gun offered far better performance than the standard 75 mm gun which had been chosen for the infantry support role. Even using the regular APC round it could penetrate the front armour of a Tiger I at up to 1,000 meters; with the more advanced APCBC and APDS rounds that became available towards the end of the war, it could penetrate at over 2,000 meters. The principal disadvantages of the Firefly were its low rate of fire (about half that of a 75 mm Sherman), due to the cramped nature of the turret and difficulty in reloading a gun turned on its side, and the very large, bright muzzle flash of the 17-pdr gun. Requires Cromwell Command Tank [Expand][Hide] Health 636 Population 8 Cost 30050 Max Speed 5 Time 50 Target Type armour_cromwell Hotkey T Effects The unarmed Command Tank uses a dummy gun barrel to mask its true identity from the enemy. Massive radios crowd the turret, allowing communication with nearby tank squads and other command elements. ESee Vehicle Cromwell Command Tank for details. Built From Armor Command Truck [Expand][Hide] Health 750 Population 0 Cost 20565 Max Speed 3 Time 70 Target Type hqs_mobile Hotkey A Effects The Armor Command Truck coordinates and deploys Heavy Armor on the battlefield. ESee Vehicle Armor Command Truck for details. Support Abilities Hull Down Position [Expand][Hide] Cost Activation toggle Duration _ Target tp_any Recharge 0 Hotkey D Effects Tank can be toggled into and out of a Hull Down Position, which offers more protection to the vehicle. ESee Ability Hull Down Position for details. Vehicle Upgrades Tank Crew Commander [Expand][Hide] Cost 10 Time 10 Hotkey T Effects The tank crew commander will emerge to survey the battlefield, improving sight range. ESee Upgrade Tank Crew Commander for details. Vehicle Weapons 17 Pounder Firefly [Expand][Hide] Weapon 17 Pounder Firefly See Weapon 17 Pounder Firefly for details. Besa Coaxial Vehicle [Expand][Hide] Weapon Besa Coaxial Vehicle See Weapon Besa Coaxial Vehicle for details. Besa Hull MG [Expand][Hide] Weapon Besa Hull MG See Weapon Besa Hull MG for details. Retrieved from http //coh-stats.com/Vehicle Sherman_Firefly
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INTRO Amir - Hey, you’re watching Amir and Jake. ご覧の番組は「Amir and Jake」です。 Jake - What? は？ Amir - Let’s just switch it up a little. ちょっと入れ替えてみたのさ。 Jake - (scoffs) No. 戻せ。 Amir - OW. (Amir approaches Jake’s desk) （ジェイクの机に近づくアミール） AMIR Blato! JAKE New business card. Nice. 新しい名刺か。よかったね。 AMIR Not just any business card. My business card. ただの名刺じゃない。俺の名刺だ。 JAKE I know. I didn’t think you’re were carrying around-- 知ってるって。いやまさか、お前が名刺を― AMIR My business card. 俺の名刺だ。 JAKE --like some random business card. なんか名刺とか持ち歩いてると思わなかったからさ。 AMIR My business card. 俺の名刺だ。 JAKE OK, it’s blank. つーかそれ真っ白じゃん。 AMIR (chuckles) It’s blank, or is it invisible ink? (pulls out a squirt bottle and sprays card, then starts waving it around) Here we go. (pause) Suddenly, the card comes to life. 真っ白か…見えないインクか？（霧吹きで名刺に吹き付けては振る）こうやって… 突然、ただの名刺に生命が宿る。 JAKE Not ye- いやまｄ― AMIR Not yet! (still shaking card) Not yet. まだなの！（カードを振り続ける）まだ。 JAKE Don’t get mad, you’re getting really defensive really early on in this conversation. 怒んなよ、まだまだ話は始まったばっかなんだろ？そんなムキになんないでくれ。 AMIR It’s already starting to work. (continue shaking card throughout conversation) そうさ、始まったばっかりだ。 JAKE Just chill out. It’s not actually. It’s pretty slow, it’s-- 落ち着け。でもさ、ちょっと変化が遅すぎるというか― AMIR It’s fast! OK, if you know anything about invisible ink. 早いんだよ！お前は見えないインクについてなんか知ってんのか？ JAKE I don’t. いや。 AMIR Well I do and this is fast. This is considered lightning fast in the industry. Starting to-- 俺は知ってるから言える、これは早い。業界では「ライトニングファスト（超高速）」と呼ばれるほど早い。 JAKE OK, well, yeah, I understand that you carry around a spritzer all the time but how is anybody else-- おｋ、わかった。この名刺を渡すにはいつでも霧吹きを持ち歩かないといけないんだな。いったいどうやって― AMIR What? なんだよ？ JAKE I’m in the middle of talking, don’t say ‘what’ to interrupt me, OK? You’re-- 俺さ、話の途中で一回も「何？」っつって、話を遮らなかったよな。それはさ― AMIR You’re mumbling, OK? (makes silly noises with his mouth) はっきり言えよ！ JAKE --you’re getting, you’re getting defensive. How is anybody else going to know to spray the card with water? すごく言い訳がましいからだ。一体誰から、どうやって名刺に水を吹きかけることを覚えたんだ？ AMIR Well, it’s not with water, OK? It’s vinegar. (laughs) And the instructions are written on the card once you’ve spritz it, oooh, that was tough. えーまず、これは水じゃない。酢だ！しかも、あんたがそれを名刺に吹きかけると名刺の説明が出るようになってる。こりゃ大変だ！ JAKE Yeah, that actually was tough. And by the way, nothing has appeared on the card yet. ああ、大変だな。ちなみに、まだカードに何もでてないぞ。 AMIR OK, you’re just being a dick because you think this was a waste of $3000. なんだよ、どうせ俺が３０万無駄にしたと思ってんだろ？ムカつくんだよ。 JAKE I would have thought it was a waste if you got it for free. タダでも無駄だと思っただろうな。 AMIR A good business card should one display pertinent information prominently, two be simple and clean and three be easily readable. 1：情報は目立つように。2：できるだけシンプルに。3：読みやすいように。これがいい名刺というものだ！ JAKE I agree. It’s weird that you know all that stuff-- そう思うよ。変なのはどうしてお前はそれを知っていながら― AMIR A GREAT business card should-- グレートな名刺というものは― JAKE OK. もういいよ。 AMIR --one make you earn that information, two invisible ink, preferable but not necessary-- 1：その情報によって稼げること、2：見えないインク、必ずしも必要というわけではないが― JAKE Definitely not necessary. 全く必要じゃない。 AMIR --and three leave a lot to the imagination. 3：相手に想像させる余地を残すこと。 JAKE Nothing showed up yet. まだ何も見えないぞ。 AMIR It’s showing up. もう出てる！ JAKE Try not shaking it. 振るなよ。 AMIR (stops shaking the card) OK, you know what? You have a lot of dumb ideas too but I don’t call you out on them because you’re my friend and at least you’re trying and I want to see you happy. （振るのをやめる）あのさ、俺はな！…お前はこの名刺のいらん部分を糞みたくたくさん見つけたろうが、こうやってこれを教えようとしたのは、俺の友達だし、ちょっとでもあんたの喜んだ顔が見たかったからなんだよ。だから見せた。 JAKE All right. You’re right. I’m sorry. Hey look, it just showed up. (reads) Tweet at me bitches, you know a player when you see one. そうか…… そうだったのか。謝るよ。なあ、名刺見せてよ。（名刺を読む）俺をツイートして拡散しろ、俺という素晴らしい選手に出会ったなら。 AMIR Yeah. そうだ。 JAKE Doesn’t have your twitter name. ツイッターのアカウント名が書いてないけど。 AMIR (pause) Which is fine, right? （間）どっちにしろなんとかなる。 JAKE That’s fine. That’s good. That’s cool. All right, good talk. What do you say we start the day, huh? そうだな。いいと思うよ。クールだ。うん、いいことを教えてもらった。これでいい一日のスタートになったじゃないか、なあ？ AMIR Absolutely. そうだな。 JAKE Let’s do it. 頑張ろうぜ。 AMIR Lunch? 昼メシは？ JAKE Uh, it’s still 9AM but . . . all right, good talk. Take it easy man. あ～えっと、まだ９時だし… うん、楽しかったよ。な、気楽にやろう。 AMIR (softly) Take it easy man. (pause) This could actually work-- 気楽にやろう。（間）もしこれで仕事が― JAKE Go to your desk, man. 机に戻れ、な。 (Amir goes to his desk) AMIR Whoa, just got my first business card tweet. おお、さっそく俺の名刺のツイートが来てるぞ。 JAKE Hey, really? お、ホントに？ AMIR Yeah, it’s from you. (chuckles) ああ。あんたからだ。 JAKE What’s it say, man? なんて言ってる？ AMIR (reading) Sick card, bro. Wanna do lunch? 斬新な名刺だな。昼食でもどう？ JAKE So what do you say? We’ll get like a business lunch or something. で、答えは？ ビジネスランチかなんかしようよ― AMIR Don’t fucking pity me! 同情すんなボケ！ THE END.
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Saga～This is my road (TV Size) Artist カノン (Kanon) Lyrics カノン (Kanon) Composition カノン (Kanon) Translation mink Blessed is He who comes In the name In the name of the Lord Hosanna in the highest This is my road, being led Here I stand, I’m here The far remnants of father and mother The voices I can hear when I close my eyes This is my road, I will walk As I overcome the endless time This is my life, I will open the door and Carve the path along with my fate Saga ~this Is My Road~ (tv Size) Benedictus qui venit in nomine In nomine Domini Hosanna in excelsis This is my road 導かれて Here I stand 此処に居る 父と母の遠い面影 瞳閉じれば聞こえる声 This is my road 歩いてゆく 果てしない時を越えて This is my life 扉開き 定めとともに 今、道を刻んでゆく videoプラグインエラー 正しいURLを入力してください。
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Ryota Matsumoto (松本良多) is one of the most prominent philosophers of postdigital theory and visual artist known for the hybrid art. He is a principal and founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in New York and Tokyo. Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in early 90’s. Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, Cesar Pelli and MIT Media Lab before establishing his office. As a designer and consultant of Nihon Seikei Inc. and Japanese railway, he has worked on high-profile projects including Kyushu University Ito Campus masterplan(2003-2005), Shinjuku redevelopment project in Tokyo(2009-2012), Bach Mai hospital in Hanoi(2000) and Qingdao mixed-use development in China(2011). He has presented his work on posthumanism, digital design and bio art at the 5th symposium of the Imaginaries of the Future at Cornell University, the Espaciocenter workshop at TEA Tenerife Espacio de las Artes, Oslo National Academy of the Arts, UCI Claire Trevor School of the Arts and NTT InterCommunication Center as a visual artist. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercial and contributed to the promotional projects for his first solo album as Threshold Houseboys Choir. His academic career started as a teaching assistant for architectural historian, Vincent Joseph Scully Jr. and his seminar, the Natural and Manmade in 1993. During his visiting fellowship at the Glasgow school of Art, he has been engaged in research on the process of integrated urban regeneration under the guidance of Giancarlo De Carlo and Isi Metzstein. He continued his pursuit in urban studies and participated in seminal research projects with MIT Media Lab and KieranTimberlake exploring high-rise modular housing, sustainability and design interventions for Dhaka, Bangladesh in 2005. He has served as an MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a research associate at the New Centre of Research Practice found by Mohammad Salemy, Jason Adams and Reza Negarestani. Matsumoto is the recipient of Visual Art Open First Prize, FILE (Electronic Language International Festival) Prix Lux Finalist, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Best of Show IGOA Toronto, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and Western Bureau Art Prize Honorable Mention. He was awarded the Gold Artist Prize from ArtAscent Journal, the 1st Place Prize from Exhibeo Art Magazine and the Award of Excellence from the Creative Quarterly Journal of Art and Design in 2015 and 2016. His work is part of the permanent collection of University of Texas at Tyler. His work, writings, and interviews were published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine, H+ Magazine, International Artist Magazine, Made In Mind Magazine, Arizona State University Journal Superstition Review, Creative Review, Next Nature Network, Rhizome.org, Carbon Culture Review, KooZA/rch, Supersonic Art, Component Design (Winka Dubbeldam ed.), Post Digital Aethetics (Berry and Dieter ed.), Drawing Discourse (University of North Carolina Asheville), Highlike(SEPI-SP editors) and Drawing Futures (The Bartlett UCL) among others. Matsumoto s multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gllery and Arts and Heritage Centre Altrincham. He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). The Official Website https //www.ryotamatsumoto.com The Centre of Research Practice https //thenewcentre.org/people/ryota-matsumoto World Biographical Encyclopedia https //prabook.com/web/ryota.matsumoto/619708 Facebook https //www.facebook.com/ryota.matsumoto.718 Instagram https //www.instagram.com/ryt.matsumoto Enpedia https //enpedia.rxy.jp/wiki/松本良多 LinkedIn https //www.linkedin.com/in/ryota-matsumoto-68746080 Discogs https //www.discogs.com/ja/artist/5796857-Ryota-Matsumoto Muck Rack Journalist Profile https //muckrack.com/ryota-matsumoto
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Necromancer（ネクロマンサー）Necromancer general questions Q. What does the essence of anguish I received from the Grisly Mark/Horrific Mark/Necromantic Symbol spell do? Q. What are our "fun" spells and where can I get them? Q. Where do I start my level 20 armor quest? Q. What makes the necromancer special compared to other mages? Q. What's the difference between a Conjurer and Necromancer? Q. Whenever I cast the spell swarm of rats or ghastly stench, they all get killed before they do much damage... how can I maximize their effectiveness? Q. Is the necromancer mostly a solo class? Q. Is the necromancer a fun class to play? Q. Can I become a necromancer in Qeynos? Q. What should I be spending most of my money on? Spells, equipment or a combination? Q. What stats should I be looking for in my armor upgrades? Q. What race makes the best necromancer? Q. Aren't Sorcerers better at damage then us? Why should I choose a second-rate DPS'er? Q. What's the difference between burst and sustained DPS classes? Necromancer（ネクロマンサー） Necromancer general questions Q. What does the essence of anguish I received from the Grisly Mark/Horrific Mark/Necromantic Symbol spell do? A. The essence of anguish is used for the necromancer spell "revivication", our ressurection spell received at level 48. It is also used for our level 52 spell drawing of souls. These items stack up to 50 per inventory slot and breed like rabbits... don t feel bad about deleting these from inventory every few stacks, they are easy to come by and you really won t use that many. Personally, I have 10 stacks though there is no reason to hold onto that many, a single stack should suffice til 52, after that maybe keep a couple stacks at a time. Q. What are our "fun" spells and where can I get them? A. Our fun spells are Nylph s Bone form (lvl 20), Nylph s Flayed Form (lvl 30), Nylph s Misty Image (lvl 35), Dartain s Dead Sight (lvl 40) which gives self Infravision, Skeletal Regiment (lvl 45) and Dartain s Cloaking Debris (lvl 50). All of these spells can be purchased from the mage academy in North Freeport, the same place you got your subclass quest from... they are all there, sometimes they re just on different scribes so look around. Q. Where do I start my level 20 armor quest? A. The armor quest starts in East Freeport in the Freeport Observer building... look for the witch Kirsteh. These quests are long, drawn out and a royal pain in the rear. This is composed of six quests, one for each visible armor slot. I wouldn t recommend obsessing over finishing these quests as it can be pretty tough around AQ4 (think it was AQ4, whichever one is in Edgewater Drains). I did all of the AQ s but it took me a long time /lfg to finish them; knowing what I know now, I probably wouldn t do the AQ s after 3 again. I guess my point is, the armor is pretty nice stuff and can be fun in the right groups... just don t feel you have to finish them. Q. What makes the necromancer special compared to other mages? A. Agro control and health/power manipulation. Agro control by our ability to do more damage against a single target without pulling the hate off of our tanks than most any other class. Before the shouts of "nerf" rain from above, lemme clarify this point a little. If a necromancer can place a pet behind a mob and if they can get both their swarm pets on a mobs back and if the fight lasts 35 seconds or longer, chances are you will do more damage than most other classes. That ability comes at a steep price though... if any of your pets are killed by a mob after about 15 seconds, all their hate will transfer to you and you ll most likely have a new friend that will do horrible things to your fragile person. It s not as easy as it seems, the DPS pets will take hits and die at the most inopportune times. Keep your pet healed to the best of your ability, if he dies and transfers all his accumulated hate to you, chances are you are going to be mowed down before your healers realize what the heck happened. Health and power manipulation are just that, tap your pet for power, use your health to heal him and use your lifetap to heal yourself... it s a dance but can be quite fun. Q. What s the difference between a Conjurer and Necromancer? A. There are five big differences between the classes. First, Conjurers are better then us at AoE, we are much better at single target damage. The necromancers spells are very focused on single target damage, the conjurers get almost all AoE type spells. Necro s get a couple, they just aren t as good. Second, conjurers get some very good group damage buffs... they get a fireshield (a spell that does damage when the recipient is hit) spell and a proc (process, essentially a spell that has a chance to "process" or cast when attacking) quite early and of very good quality. Third, conjurers are elemental (fire, cold) based, necromancers are noxious based (disease specifically). This isn t always important though it is helpful when grouping with a sorcerer. Wizards are elemental based like the conji s, so their debuffs stack up helping both classes do more damage... Warlocks are noxious based, just like us, helping both do more damage. Fourth, conjurers get more status effecting abilities like stifles and stuns. We get health transfers and revivication. Fifth, necro s get less pet specific special abilities. A conjurer can instantly revive a dead pet, ward a pet against damage and put a massive damage buff on the pet only come 50 while we get a small pet only haste. This point really isn t a big deal but it is a difference. Q. Whenever I cast the spell swarm of rats or ghastly stench, they all get killed before they do much damage... how can I maximize their effectiveness? A. The rats and zombie themselves can take very little damage so sometimes when a mob (Mobile Object, in other words, an enemy target) uses an ability that effects everything in front of it, the rats get killed. The best way to cast this spell is go behind the mob and cast, the rats will stay in back and not take as much if any damage from the mob, leaving your tank to take the damage, you and the rats to do damage. The limited pets won t take damage from AoE but my experience has been either they will get hit by frontal arc attacks or the chances are much higher that the swarm pet will be tageted and destroyed if in front of a mob. Q. Is the necromancer mostly a solo class? A. No. Forget any ideas about the class from certain other games... the necromancer with pet does not make him a solo only class. This is not to say we aren t a good solo class, we are probably the most efficient solo class as the game currently stands but those solo abilities are what translate into a fantastic groupmate as well. It s not like "certain other games" where the long duration DoT s of necromancers made them a detriment to a groups damage. Here, we have some of the fastest cast times and most consistant damage with the best control of hate of the mages... this makes us pretty close to ideal in all playstyles. Q. Is the necromancer a fun class to play? A. I ve always enjoyed the class and since the combat revamp, I ve come to enjoy it even more. There s no way of really telling how much you ll enjoy it, pet classes in this game are quite a bit different than that "other" game so give it a try. You ll know by level 16 or so if a pet class is right for you. Just remember that necro s aren t big nukers like the sorcerers, we cast lots of fast DoT s and use lots of dumbfire pets and spend an inordinate amount of time juggling our health. See what you think, it s a great class that has only gotten better the more the game s matured. Q. Can I become a necromancer in Qeynos? A. Nope, necromancer is only available to residents of Freeport. You cannot become a necro then betray to Qeynos either since the betrayal quest locks your character at level 17 til you complete it and you can t start the necromancer subclass quest til level 18. Q. What should I be spending most of my money on? Spells, equipment or a combination? A. Spend every penny you can on upgrading your spells, the ones you use anyways. For necro s (and any mage really) our effectiveness is completely tied to our spells (especially pets, pet buffs and swarm spells). If you have to decide between upgrading your boots or upgrading a spell, the spell wins every time. I m not saying save all your money for spells only... if you find a jeweler grinding out rings and things, pick them up; just don t concern yourself with keeping all your equipment "new". Don t be afraid to let your equipment /con grey, our AC gains really don t mean alot anyways... our spell power all. Q. What stats should I be looking for in my armor upgrades? A. This can be subjective... my belief is that the desireability order is intelligence power stamina health resists. If you find an item that is very grey to you but has unbeatable int, use that item instead of the item with high AC but no int or power on it. Q. What race makes the best necromancer? A. There really isn t a best race when all is said and done... however there are some that give some nice advantages for a mage class. If you remember we actually have three main stats; intelligence primary, stamina secondary, agility tertiary. You can look at the bonuses each race gives through traits and plan accordingly. The benefits are pretty slight so by no means base your character on those traits alone, go with the race you think you ll have the most fun with. Racial traits can be found at http //eq2.primagames.com/pdfs/traits.pdf and should give you a pretty good idea of what the different races can give in regards to special racial advantages... it s not exactly "right" as far as use timers etc. but it is a good guideline. Q. Aren t Sorcerers better at damage then us? Why should I choose a second-rate DPS er? A. Sometimes, the term "best DPS" gets thrown around with little basis in fact. Sorcerers (and predators) can out damage us sometimes, not all the time. In fights lasting longer then 30 seconds, necromancers start pulling ahead of the pack in regards to top damage output; every second after 30 pushes us further up the DPS chain since most classes cannot keep up with our power regen capabilities. This leads us to the difference between burst and sustained damage. Q. What s the difference between burst and sustained DPS classes? A. Necromancers (and conjurers/rogues) are a sustained DPS class, Sorcerers and predators are burst damage classes. Burst damage attacks are high damage long recast attacks, those big booms that wizards get. Sustained damage is steady, reliable damage that just keeps adding up the longer you go. A good example of sustained damage is the DoT, a whole bunch of DoT s stacked together and allowed to run their full course are perfect examples of why necromancers are great in the long fight... our damage is sustained with very little variation and why you will generally see your DPS as always around the same number. A really nice thing about our style of damage is we aren t horribly effected by resists to our spells... if one of them is resisted, not that big a deal since we ve got other stuff running on the mob and we generally have short recast timers (the ghastly stench line being the exception). A burst class misses their big hit and they have to wait a while before they can try to do that damage again, meanwhile our slow steady damage has been ticking the whole time. I d recommend to anyone to download one of the various combat parsers to see how to maximize your damage output... and to prove that we are a high damage DPS class. You don t see the big booms with a necro but the proof is in the pudding at the end of a play session. In a short fight we can t even touch a sorcerer or predator, give us 30 seconds and we move quickly to the top of the heap. A necromancer will do alot more damage without drawing the agro than most classes but if any of those pets dies we are in deep poop.
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Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Aeronautics&Space? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Neil Armstrong (Explore Space) Bridgestone Books? Thomas Streissguth? BridgestoneBooks? ThomasStreissguth? ジャンル別? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-People&Places-Biographies-Science&Technology? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Aeronautics&Space? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General 3, 2, 1 Go! A Transportation Countdown (Counting Books) A+ Books? Sarah L. Schuette? A+Books? SarahL.Schuette? ジャンル別? Subjects-Children sBooks-Baby-3-BasicConcepts-Counting? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General A Day in the Life of a Farmer (First Facts) Capstone Pr Inc? 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Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Professional&Technical-Engineering-General Subjects-Religion&Spirituality-Christianity-ChristianLiving-General? The World's Greatest Buildings Masterpieces of Architecture Engineering (Time-Life Guides) Time Life Education? Ruth Greenstein? Bronwyn Hanna? John Haskell? Trevor Howells? Deborah Malor? John Phillips? Thomas A. Ranieri? Mark Stiles? Bronwyn Sweeney? Henry J. Cowan? TimeLifeEducation? RuthGreenstein? BronwynHanna? JohnHaskell? TrevorHowells? DeborahMalor? JohnPhillips? ThomasA.Ranieri? MarkStiles? BronwynSweeney? HenryJ.Cowan? ジャンル別? Subjects-Arts&Photography-Architecture-BuildingTypes&Styles-General? Subjects-Arts&Photography-Architecture-Criticism? Subjects-Arts&Photography-Architecture-General? Subjects-Arts&Photography-Architecture-History&Periods-General? Subjects-Engineering-General? 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